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Featuring exercises that can be played in practice and in actual
performances, Drum Solos & Fill-ins for the Progressive Drummer
contains 4-, 8-, and 16-bar solos plus fill-ins from several top
drummers. This book is designed specifically to help the beginning
drum student develop individual technique and musical ability.
Special emphasis is placed on introducing students to 4-bar solos
to improve drum solo skills. It also includes 13 pages of fill-ins.
More challenging than Book 1, Book 2 features solos and fills
inspired by one of the world's greatest drummersaBuddy Rich.
Featuring exercises that can be played in practice and in actual
performances, Drum Solos & Fill-ins for the Progressive Drummer
contains 4-, 8-, and 16-bar solos plus fill-ins from several top
drummers. This book is designed specifically to help the beginning
drum student develop individual technique and musical ability.
Special emphasis is placed on introducing students to 4-bar solos
to improve drum solo skills. It also includes 13 pages of fill-ins.
More challenging than Book 1, Book 2 features solos and fills
inspired by one of the world's greatest drummersaBuddy Rich.
This volume teaches five different ways to play eight pages from
Progressive Steps to Syncopation for the Modern Drummer. There are
five sections, each consisting of the eight solo exercises from
pages 37 through 44.
Voted second on Modern Drummer's list of 25 Greatest Drum Books in
1993, Progressive Steps to Syncopation for the Modern Drummer is
one of the most versatile and practical works ever written for
drums. Created exclusively to address syncopation, it has earned
its place as a standard tool for teaching beginning drummers
syncopation and strengthening reading skills. This book includes
many accented eighths, dotted eighths and sixteenths, eighth-note
triplets and sixteenth notes for extended solos. In addition,
teachers can develop many of their own examples from it.
Basic rhythms, variations, breaks, short solos and fill-ins for the
mambo, cha-cha, merengue, bolero, samba, conga, beguien, paso
doble, tango, montuno, calypso and joropo. Most rhythms are written
for the timbales, but may be played on drums, cymbal or cowbell by
making simple substitutions.
Their ancestors may have been cargo in the slave ships that arrived
in Charleston, S.C. Today, the scale has been rebalanced: black
longshoremen run the port's cargo operation. They are members of
the International Longshoremen's Association, a powerful labor
union, and Kenny Riley is the charismatic leader of the Charleston
local. Riley combines commitment to the civil rights movement with
the practicality to ensure that Charleston remains a principal East
Coast port. He emerged on the international stage in 2000, rallying
union members worldwide to the defense of "The Charleston Five,"
longshoremen arrested after a confrontation with police turned
violent. This is Riley's story as well as a behind-the-scenes look
at organized black labor in a Deep South port.
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